RAMAYAN TITLE SONG RAAG PROFESSIONAL

Ramayana, as an oral epic, was also propagated according to the musical norms perfected in the oral tradition.

RAMAYAN TITLE SONG RAAG PROFESSIONAL

There were professional classes of musicians such as Bandi, Soota, Magadha and others, whose repertoire included songs in praise of heroes, their deeds, their clans or dynasties. Occasions of festival music were known as samaj. Ravana the demon-leader was proficient in music. A wide variety of instruments were used such as the Veena, Venu, Vansha, Shankha, Dundubhi, Bheri, Mridang, Panav and Pataha. Four major types of instruments were identified. The epic tells us that musical instruments were collectively mentioned as atodya. It was presented before the Gods to please them. It was created and propagated by Brahma and other deities. There were three important features of Marga Sangeet. The term Marga sangeet is also used in the epic to denote the accepted and prestigious mode of music.

Rama was an expert in gandharva, the 'classical' music of the time. For example, when Rama describes Kishkindha, Sugreeva's kingdom, to Laxmana, he refers to the lute-like resonance of the bees, the rhythmic croaking of frogs and the mridang-like sounds of clouds. The word shloka refers to a particular kind of metrical composition known for its brevity, easy tempo and lilting rhyme.ДЇrom the lavish use of musical metaphors in the epic, it is evident that the precise concept of music or sangeet had been adequately established and appreciated. The first Indian epic, Ramayana, was composed by the sage Valmiki.

Ramayan title song raag